If your production can try to find royalty-free music, that would save a lot of time and money. This is not a place for your creative interpretation—just practical application. The same thing as above, be sure to be specific, if it belongs to a character, itemize it and name it correctly. Are they listening to music in the car or while they work out? Greenery - trees, plants, shrubs, vines. Is there a lot of movement? Vehicles - detail any vehicles mentioned in the scene or estimate how many there are in the background. You don't have to do it this way; you can just jump into the breakdowns but move slowly to make sure you don't miss anything. This process begins with the script breakdown. My producer friend Forrest Murray always says the script, schedule and budget are the same document. Visual Effects - also referred to as optical effects. What is a Script Breakdown? In an action scene, it can be easy to miss items, so be specific. Miscellaneous - are these weird things that you aren't quite sure how to categorize? This information is then included on the call sheets. If you are on location, shooting for multiple days and have highly expensive equipment staying on-site, you may want to consider security to keep the items safe. Once you get the script breakdowns done, organize your stripboard (production board) into a schedule. Shane Hurlbut once said somethingalong the lines of, "If you make every choice as a cinematographer based on the emotions of your characters, you will hit a home run ever… The last thing you want to do is breakdown the wrong script and then have to start all over. In combination with the catalog, it helps you schedule your shoot, organize your assets, and create a budget. Creating a script breakdown is an essential skill for any indie filmmaker producing their own feature or short film. Each scene, as per slug line, is measured into eighths of a page by its number of inches. A cast member is usually someone who speaks at some point during the film. Remember, as new versions of the script come out, this will change. Back in the day, this was done by hand, with folks manually breaking down printed copies of the script and creating stripboards. In the future film and TV world, the 1st AD is usually the one who’s in charge of breaking down the script. It helps with call sheets, day-in-day-out, daily breakdowns. Some software even allows you to attach items to sequences or locations, so you don't have to remember them every time, but instead, they will automatically show up. Free Script Breakdown Sheet. Once you’ve finished marking your script, you’ll need to input the elements into a Script Breakdown Sheet. Give your production team keep track of what has and hasn't yet been filmed. Paying for rights to music can be quite costly. This is the summary list of all the elements in a specific scene. Movie Magic Budgeting and Movie Magic Scheduling. In film and television, a script breakdown is: a) an analysis of a screenplay in which all of the production elements are reduced to lists in order to schedule and budget the production; b) a director’s creative analysis of the dramatic action, reciprocal struggle, theme, and design elements of a screenplay. A film’s producer typically does a rough breakdown, followed by the 1st AD’s more thorough pass. You will want to provide specific information in each strip. This category is for live music mentioned in the script. The screwdriver blade of a Swiss Army knife ENTERS FRAME, methodically tightening a row of screws. When a screenwriter goes through and does X amount of edits over a few months or years, in many cases, things fall through the cracks and get forgotten. Fourth, as you are going through the script, you will probably find that the screenwriter has used more than one way to describe a location, ie. You will need to break each page of your script down into 1/8ths. So what is a script breakdown and why is it important? Topsheet is an entertainment tech company specializing in production payroll. Of course, some variables can add time like the actors struggling with lines, equipment malfunctions, what have you. Props - Detail props used in the scene. SPECIAL EFFECTS: Blue/ Any special effect required. EXTRA (ATMOSPHERE): Green/ Any extra person or group of persons needed for the background. Sometimes this is the Line Producer's job; sometimes, it's the job of the 1st ad (Assistant Director), Director, Director of Photography, or a combination of people detailing shot lists and storyboards before a complete schedule can determine the timing. Book thousands of unique spaces directly from local hosts. Breaking down a script helps you create a budget and shooting schedule. Stunts require extra personnel like stunt coordinators, stunt doubles, etc. If you don't have the patience to sit and do them well, hire it out. Visual effects are done in post-production. Script breakdowns are no joke; they are a tedious, detailed, daunting task. Additional labor - this category is for unusual personnel. (Don't work with cats, they will take up your entire day.). We are born in technology, built with filmmakers in mind. Your shooting schedule will include your stripboards as well any company moves and breaks. You can approach creating stripboards the old-school way, by printing each scene title and number on a color-coded strip of paper, or you can also use a stripboard template. When taking a film from conception to production, one of the most integral steps to having a smooth-running set for film and television is the script breakdown summary - also known as a script breakdown report. Security - Do your actors require special security? When the